John Barry OBE (* 3. Gladys Knight – Licence to Kill • For From Russia with Love he composed "007", an alternative James Bond signature theme, which is featured in four other Bond films (Thunderball, You Only Live Twice, Diamonds Are Forever, and Moonraker). A British judge later accused him of emigrating to avoid paying £134,000 due the Inland Revenue. Mit dem Erfolg von Bond konnte Barry auch in Hollywood Fuß fassen. Etliche seiner Filmmusiken wurden abgelehnt (s. Kapitel Gescheiterte Filmmusikprojekte). Barry erlitt 1988 einen Speiseröhrenriss. Hierin spielte Rock ’n’ Roll eine große Rolle. The couple had a son, Jonpatrick. Die Melodie für das Titellied entstammte dem Der mit dem Wolf tanzt-Soundtrack, wo sie unter „Farewell/the End“ veröffentlicht wurde. [6] Suzy Barry, who is married to BBC business journalist Simon Jack, is the mother of his two granddaughters, Phoebe and Florence Ingleby. Barry was born John Barry Prendergast, in York, England, and was the son of an English mother and an Irish father. Barry had three daughters, Suzanne (Susie) with his first wife, Barbara, Kate with his second wife, Jane, and Sian from a relationship with Ulla Larson between the first two marriages. Zu der Zeit studierte Barry auf dem Korrespondenzweg die Kompositionstechnik nach dem rigorosen Schillinger-System (siehe auch: Joseph Schillinger, sowie Weblink), das von den Arrangeuren in der Stan-Kenton-Band ebenso angewendet wurde und auf strikten mathematischen Berechnungen beruht. John Barry Prendergast (York, 3 novembre 1933 – Oyster Bay, 30 gennaio 2011) è stato un compositore britannico, autore di colonne sonore cinematografiche.Durante la sua carriera Barry ha ricevuto cinque Oscar ed è noto per aver composto la colonna sonora di dodici film della serie di James Bond. Pläne, die Show außerhalb Londons erneut zu starten, zerschlugen sich. Das Gericht hat jedoch seine kompositorischen Anteile als zu gering angesehen, da es Barry nur 10 der 60 Takte zubilligte. Sporadisch war Barry auch zu anderen Tributanlässen zu sehen; so etwa in Dublin am 20. Im August/September 2006 erschien ein Album der australischen Sängerformation The Ten Tenors unter dem Titel Here’s To The Heroes. Am 21. [31] Arnold also went on to score four subsequent Bond films: The World Is Not Enough, Die Another Day, Casino Royale, and Quantum of Solace. Chris Cornell – You Know My Name • The incident rendered him unable to work for two years and left him vulnerable to pneumonia. Zwischen 1976 und 1999 hatte Norman Royaltys in Höhe von 485.000 £ vereinnahmt. Jahrhunderts und Träger zahlreicher Filmpreise, darunter fünf Oscars (zwei für Frei geboren – Königin der Wildnis, je einen für Der Löwe im Winter, Jenseits von Afrika und Der mit dem Wolf tanzt). In 2001, Barry became a Fellow of the British Academy of Songwriters, Composers and Authors, and, in 2005, he was made a Fellow of the British Academy of Film and Television Arts. He came to the notice of the makers of the first James Bond film Dr. No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. Versuche, ihn zurückzuholen, blieben erfolglos. Barry also wrote the scores to a number of musicals, including the 1965 Passion Flower Hotel (lyrics by Trevor Peacock), the successful 1974 West End show Billy (lyrics by Don Black),[20] and two major Broadway flops, Lolita, My Love (1971), with Alan Jay Lerner as lyricist, and The Little Prince and the Aviator (1981), again with lyricist Don Black. His music was later released as the UK's first soundtrack album. Ein Schicksal, das er mit Maurice Jarre oder Elmer Bernstein und vielen anderen teilte. September 2006 füllte die Ränge nur zu etwa zwei Dritteln. Januar 1960 die Single Hit And Miss, die mit Rang 10 der britischen Hitparade die höchste Platzierung seiner Singles erreichte. His father, John Xavier "Jack" Prendergast, from Cork, was a projectionist during the silent film era, who later owned a chain of cinemas across northern England. Da sein Vater eine Kinokette betrieb, war es für den Jungen selbstverständlich, sich die gerade laufenden Filme immer wieder anzusehen. "[28], Barry's last score for the Bond series was The Living Daylights (1987), Timothy Dalton's first film in the series with Barry making a cameo appearance as a conductor in the film. Ab 1952 verbrachte er so drei Jahre im Militärdienst als Mitglied einer Armee-Band. Sein Bruder Patrick hatte ihn mit dieser Musik bekannt gemacht. David Arnold, a British composer, saw the result of two years' work in 1997 with the release of Shaken and Stirred: The David Arnold James Bond Project, an album of new versions of the themes from various James Bond films. Darauf befinden sich unter anderem acht Lieder von Barry, die er in Zusammenarbeit mit dem Texter Don Black schrieb. Nancy Sinatra – You Only Live Twice • [26] Thus, Flick is heard as lead guitarist on the main theme, leaving Page as a background acoustic contributor to Flick on the instrumental version of the song. Ansonsten war Barry mit seinen Theaterwerken weniger Erfolg beschieden als mit seiner Musik für Filme. John Barry was born in York, England in 1933, and was the youngest of three children. He was employed by EMI from 1959 until 1962 arranging orchestral accompaniments for the company's singers, including Adam Faith. Arnold thanks Barry in the sleeve notes, referring to him as "the Guvnor". [29] Barry was intended to score Licence to Kill (1989) but was recovering from throat surgery at the time and it was considered unsafe to fly him to London to complete the score. The court was also told that Norman received sole credit because of his prior contract with the producers. Carly Simon – Nobody Does It Better • Shirley Bassey – Diamonds Are Forever • Das Lied Our Time Is Now schrieb Barry zusammen mit Don Black für Shirley Bassey im Jahr 2009 für ihr Album The Performance. He later developed an interest in composing and arranging music, making his début for television in 1958. [4] Das Theme wurde seitdem modifiziert bis 1981 eingesetzt. Besondere Popularität erlangten seine Kompositionen für die James-Bond-Filmreihe. Festival International Musique & Cinéma D’Auxerre im Zeichen von Barrys Werk. Januar 1978 war er mit Laurie Barry verheiratet. In 1962, Barry transferred to Ember Records, where he produced and arranged albums.[14]. The theme "Stalking", for the teaser sequence of From Russia with Love, was covered by colleague Marvin Hamlisch for The Spy Who Loved Me (1977). [27], As Barry matured, the Bond scores became more lushly melodic (along with other scores of his such as The Tamarind Seed and Out of Africa) as in Moonraker (1979) and Octopussy (1983). Barry said that a deal was struck whereby he would receive a flat fee of £250 and Norman would receive the songwriting credit. Juni 2008, wo ihm zu Ehren ein Konzert mit seinen bekanntesten Werken gegeben wurde. John Barry OBE (* 3. Barry, John in Burlingame, Jon. [40] Sir George Martin, Sir Michael Parkinson, Don Black, Timothy Dalton and others also contributed to the celebration of his life and work. Lulu – The Man with the Golden Gun • Barry composed the theme for the TV series The Persuaders! Bei Francis Jackson, dem Master of Music der Yorker Kathedrale, genoss er als Teenager eine musikalische Ausbildung. (2014) The Music of James Bond, Reprint Edition, Oxford University Press, John Barry Memorial Concert – Remembering Chet, John Barry Memorial Concert – The James Bond Theme, John Barry Memorial Concert – We Have All The Time in the World, John Barry Memorial Concert – Complete Radio Broadcast, British Academy of Songwriters, Composers and Authors, British Academy of Film and Television Arts, Officer of the Order of the British Empire, Best Original Score for a Motion Picture (not a Musical), Eleanor and Franklin: The White House Years, Brit Award for Outstanding Contribution to Music, "The John Barry Resource: Monty Norman's "James Bond Theme" Lawsuit", "£30,000 damages for composer of 007 theme tune", "John Barry: 15 facts about the great composer", "John Barry: On Her Majesty's Secret Service", "University of York to award nine honorary degrees", "Movie music legend John Barry dies aged 77", "Jimmy Page Before Led Zeppelin: 20 Great Session Songs", "The Melancholy Touch: Romantic Shades of John Barry's Bond", "John Barry – The Man with the Midas Touch", "Monty Norman v. The Sunday Times: The "James Bond Theme" Lawsuit", "Centre Island - Long Island New York - Long Island Exchange", "John Barry, Oscar-winning Composer, Dies", "Composer John Barry remembered at memorial concert", "AICN Animation Double-Header! Die Premiere fand im Londoner Almeida Theater im Herbst 2004 statt. Außerdem war er dreimal für eine Goldene Himbeere nominiert und erhielt sie für die Schlechteste Filmmusik zu Legend Of The Lone Ranger (1981) (für eine ausführliche Liste der Auszeichnungen siehe unten entsprechenden Weblink). John Barry livre une musique de facture aisément identifiable, au style romantique plus ou moins teintée de jazz. [15] That same year Bart and Barry collaborated on the film Man in the Middle; and then, in 1965, Barry worked with director Bryan Forbes in scoring the World War II prison-camp drama King Rat. Ab 9. [9] The matter was resolved in the late 1980s and Barry was able to return to the UK. [8] Barry after national service worked as an arranger for the Jack Parnell and Ted Heath's Orchestra,[9] forming his own band in 1957, the John Barry Seven,[10] The John Barry Seven scored hit records on the EMI's Columbia label. He moved to the United States in 1975 and lived there until his death in 2011. Am Abgrund des Lebens). Barry was married four times and had four children. Barry also contributed indirectly to the soundtrack of the spoof version of Casino Royale (1967): his Born Free theme appears briefly in the opening sequence. Monty Norman (1962) • John Barry (1963–1987 mit Unterbrechungen) • George Martin (1973) • Marvin Hamlisch (1977) • Bill Conti (1981) • Michael Kamen (1989) • Éric Serra (1995) • David Arnold (1997–2008) • Thomas Newman (2012; 2015) • Hans Zimmer (2021), John Barry Orchestra – The James Bond Theme • Diesmal bei Bill Russo, der als eigentlicher Tüftler des Stan-Kenton-Sounds galt. Jack White & Alicia Keys – Another Way to Die • Januar 2011 in Glen Cove, NY, USA)[1] war einer der erfolgreichsten britischen Filmkomponisten und Arrangeure des 20. November 1933 in York, England als John Barry Prendergast; selten benutztes Pseudonym Michael Angelo; † 30. [18] Because Barry provided not just the main title theme but the complete soundtrack score, his music often enhanced the critical reception of a film, notably in Midnight Cowboy, The Tamarind Seed (1974), the first remake of King Kong (1976), Out of Africa (1985), and Dances with Wolves (1990). Im Jahr 2003 sollte er die Musik zu The Incredibles (Die Unglaublichen) schreiben, doch wegen Meinungsverschiedenheiten verließ er das Projekt nach kurzer Zeit wieder, und Michael Giacchino rückte nach. Wegen Barrys gesundheitlicher Probleme war es ihm zuletzt nicht mehr möglich, persönlich an Ehrungen seines Lebenswerks in Wien[5] (2009) und Gent[6] (2010) teilzunehmen und dort die Auszeichnung entgegenzunehmen. (1971), also known as The Unlucky Heroes, in which Tony Curtis and Roger Moore were paired as rich playboys solving crimes. Sam Smith – Writing’s on the Wall • He then concentrated chiefly on live performances and co-wrote the music to the musical Brighton Rock in 2004 alongside Don Black. November 1933 in York, England als John Barry Prendergast; selten benutztes Pseudonym Michael Angelo; 30. Norman is legally recognised as the composer of the James Bond Theme. Oktober 1997 in der Sunday Times behauptet, dass er der Komponist der Filmmusik sei. [13], Barry also composed the music for another Faith film, Never Let Go (also 1960), orchestrated the score for Mix Me a Person (1962), and composed, arranged and conducted the score for The Amorous Prawn (also 1962). [23], After the success of Dr. No, Barry was hired to compose and perform eleven of the next fourteen James Bond films, while Monty Norman was never offered another James Bond film. [5][6][7] As a result of his father's work, Barry was raised in and around cinemas in northern England[5] and he later stated that this childhood background influenced his musical tastes and interests. Mitte der 1970er Jahre siedelte er nicht zuletzt wegen Schwierigkeiten mit dem britischen Fiskus in die USA über, zunächst nach Hollywood, später an die Ostküste, nach Oyster Bay auf Long Island außerhalb New Yorks, wo er bis zuletzt zusammen mit Frau und Sohn ein zunehmend zurückgezogenes Leben im Halbruhestand führte. Nach dem Ende des Kriegs wurde Barry vom Jazz-Fieber gepackt. In den späten 1990er Jahren lenkte die Coverversion von On Her Majesty’s Secret Service, die von den Propellerheads auf ihrem Debütalbum Decksandrumsandrockandroll veröffentlicht wurde, nochmals die Aufmerksamkeit auf Barrys Bond-Musik. His use of strings, lyricism, half-diminished chords, and complex key shifting provides melancholy contrast – in his scores this is often heard in variations of the title songs that are used to underscore plot development. Die interessantesten Filmmusiken komponierte John Barry in der Zeit von 1962 bis 1974. Barry antwortete darauf mit teilweisem Rückzug aus dem Geschäft. Im März 2001 erreichte der Urheberrechtsstreit den Londoner High Court, wo die 60 Takte der Melodie tiefgehend analysiert wurden. In den letzten Lebensjahren verschlechterte sich John Barrys Gesundheit immer mehr. Von 1965 bis 1968 war er mit Jane Birkin verheiratet, mit Jane Sidey von 1969 bis 1978. Oktober 1960 in England in die Kinos kam. Juni 1962 war der erste Aufnahmetermin des nunmehr als James Bond Theme titulierten Songs in den Cine-Tele Sound-Studios (CTS, London) mit John Barry Seven & Orchestra, der Rest wurde am 25./26. Bei George Swift nahm er Anfang der 1950er Jahre Trompetenunterricht und begann, die ersten kleineren Stücke zu komponieren. The theme was a hit single in many European countries (including France, Germany, and the Benelux states), contributing to the cult status of the series in Europe, and the record featured Barry's The Girl with the Sun in Her Hair on the B side, an instrumental piece featured in a long running TV advert for Sunsilk shampoo. Seit dem 3. [19] The instrumental recording features the Cimbalom (which Barry also used for The Ipcress File (1965) and other themes) and Moog synthesizers. Tina Turner – GoldenEye • Zu den Band-Mitgliedern gehörten neben Barry Les Reed, Vic Flick, Mike Peters, Jimmy Stead, Dennis King und Doug Wright. This was the turning point for Barry, and he subsequently won five Academy Awards and four Grammy Awards, with scores for, among others, Born Free (1966), The Lion in Winter (1968), Midnight Cowboy (1969) for which he did not receive an on-screen credit, and Somewhere in Time (1980). [16][2], Barry was often cited as having had a distinct style which concentrated on lush strings and extensive use of brass. Oktober 1962. John Barry in 1996 in Gstaad, discussing the documentary "Moviola" made by Sony. Upon completing his national service, he formed his own band in 1957, The John Barry Seven. Barry was married four times. Die Kritiken waren meist ablehnend, und das Stück verschwand nach wenigen Vorstellungen wieder von der Bühne. Barry war Schüler der Bar Convent Catholic Junior School im Zentrum Yorks. Die betroffenen Personen geben in der Regel nur ungern Auskunft darüber, wie es zu solchen Ablehnungen gekommen ist.[7]. Mit Unterbrechungen arbeitete er bis 1987 für die Bond-Leute. Despite these claims the jury ruled unanimously in favour of Norman. Sheena Easton – For Your Eyes Only • a-ha – The Living Daylights • Adele – Skyfall • His four highest-charting hits all spent more than 10 weeks in the UK top 50. Zusammen mit seinem langjährigen Mitarbeiter und Liedtexter Don Black schrieb Barry das Werk fertig. Dieser hatte allerdings am 12. [38][39], A memorial concert took place on 20 June 2011 at the Royal Albert Hall in London where the Royal Philharmonic Orchestra, Shirley Bassey, Rumer, David Arnold, Wynne Evans and others performed Barry's music. His first three marriages, to Barbara Pickard (1959–63), Jane Birkin (1965–68), and Jane Sidey (1969–78) all ended in divorce. È stato il primo marito dell'attrice Jane Birkin da cui ha avuto la figlia Kate (1967-2013). Das Stück mit dem Titel Brighton Rock basiert auf Graham Greenes gleichnamigen Roman (dt. Teils waren es nur Einzelthemen zu Demonstrationszwecken, teils aber auch vollständig eingespielte Partituren. Matt Monro – From Russia with Love • Damit war der größte Teil auf Monty Norman als Komponist zurückzuführen. Januar 1962 machte der Filmproduzent United Artists Druck, dass ein Theme-Song gefunden werden müsse, der James Bond während der geplanten Filmserie identifizierbar mache. Der Gutachter war der Auffassung, dass das Gitarrenriff der Grundgedanke des Songs sei, der Normans Bad Sign, Good Sign entstamme. Tom Jones – Thunderball • In 2001, the University of York conferred an honorary degree on Barry, and in 2002 he was named an Honorary Freeman of the City of York. Rita Coolidge – All Time High • Juni 1962 in Londons Denham Filmstudios aufgenommen. Barrys bislang klassisch geprägter Musik-Horizont erfuhr dadurch eine Erweiterung hin zur Unterhaltungsmusik. Er gewann vier Grammys. In 2011, he received the Brit Award for Outstanding Contribution to Music. Für seine Filmmusiken erhielt Barry neben vielen anderen Preisen fünf Oscars, zwei für Frei geboren – Königin der Wildnis (in den Kategorien Bestes Lied und Beste Filmmusik) und je einen für die Beste Filmmusik von Der Löwe im Winter, Jenseits von Afrika sowie Der mit dem Wolf tanzt. [25] For Bond films, session musicians such as Page were relegated to the instrumental/score versions of songs, while the main musicians (on Goldfinger such as Vic Flick) were given the main film theme song to record. [32][33], In court, Barry testified that he had been handed a musical manuscript of a work by Norman (meant to become the theme) and that he was to arrange it musically, and that he composed additional music and arranged the "James Bond Theme". (Credit goes to Monty Norman, see here.) Barry and Black also composed one of the songs on Shirley Bassey's 2009 album, The Performance. Januar 2011 in einem Spital in Glen Cove an den Folgen eines Herzanfalls. Im Bond-Film James Bond – 007 jagt Dr. No erschien das Thema erstmals bei der Premiere im London Palladium am 5. November 2007 stand das 8. Though Bart wrote a title song for the film, the producers remembered Barry's arrangement of the James Bond Theme and his composing and arranging for several films with Adam Faith. Sheryl Crow – Tomorrow Never Dies • 15 on their list of the greatest film scores. Zudem absolvierte er von Zypern aus wiederum auf dem Korrespondenzweg einen Fernkurs. By 1959 Barry was gaining commissions to arrange music for other acts, starting with a young trio on Decca, coincidentally called the Three Barry Sisters, though unrelated both to Barry and the more famous Barry Sisters duo in America. [2] Monty Norman sollte eine Filmmusik abliefern, komponierte in der Eile jedoch keinen neuen Song, sondern schlug seine im Sommer 1961 verfasste Komposition Bad Sign, Good Sign vor, die nie veröffentlicht worden war; sie wurde für unpassend empfunden. In den 1990er Jahren manifestierte sich ein Mentalitätswandel in Hollywood, der für Barrys Arbeit nicht ohne Folgen bleiben sollte. Shirley Bassey – Moonraker • Nach Der Hauch des Todes kehrte er der Serie den Rücken. [9] He was married to his fourth wife, Laurie, from January 1978[9] until his death. ", Appearance on Desert Island Discs 13 June 1999, High Noon (Do Not Forsake Me, Oh My Darlin'), Que Sera, Sera (Whatever Will Be, Will Be), Golden Globe Award for Best Original Score, The Lord of the Rings: The Return of the King, Golden Raspberry Award for Worst Musical Score, Grammy Award for Best Score Soundtrack for Visual Media, The Lord of the Rings: The Fellowship of the Ring, https://en.wikipedia.org/w/index.php?title=John_Barry_(composer)&oldid=990899932, Best Original Music Score Academy Award winners, Best Original Song Academy Award-winning songwriters, Officers of the Order of the British Empire, People educated at St Peter's School, York, Articles with unsourced statements from September 2018, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 1964 Outstanding Achievement in Composing Original Music for Television for, 1977 Outstanding Achievement in Music Composition for a Special (Dramatic Underscore) for, "Hit and Miss" as The John Barry Seven plus Four, UK#10 (first charted 1960), "Beat for Beatniks" as The John Barry Orchestra, UK#40 (1960), "Never Let Go" as The John Barry Orchestra, UK#49 (1960), "Blueberry Hill" as The John Barry Orchestra, UK#34 (1960), "Walk Don't Run" as The John Barry Seven, UK#11 (1960), "Black Stockings" as The John Barry Seven, UK#27 (1960), "Cutty Sark" as The John Barry Seven, UK#35 (1962), "From Russia with Love" as The John Barry Orchestra, UK#39 (1963), "Theme from 'The Persuaders'" as John Barry, UK#13 (1971).